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This is the Franco/Flemish harpsichord modeled after Couchet, Antwerp, 1680. |

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This is the Franco/Flemish harpsichord modeled after Couchet, Antwerp, 1680. |

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Harpsichord after Beniost Stehlin, Paris 1760. Inside the lid are scenes painted in the style of French painter Jean-Honore' Fragonard (1732-1806). |

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This is a harpsichord after Beniost Stehlin, Paris 1760.
Inside the lid are scenes painted in the style of French painter
Jean-Honore' Fragonard (1732-1806). |

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This is the Franco/Flemish harpsichord modeled after Couchet,
Antwerp, 1680. It has a Louis the XIV Cabriolet stand with a
blue/green interior and an oil painting in the appropriate
style. |

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This is a single manual version of the previously shown
Franco/Flemish models above. It has a range of five octaves FF
to f'''. A transposing keyboard, an elaborate turned stand
after French seventeenth century furniture and a lid painting after
two originals by Fragonard are combined here for this harpsichord. |

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This is another Franco/Flemish harpsichord modeled after Couchet/Blanchet/Taskin,
Paris, 1781 with a Louis XVI stand. It also has Victorian
green/floral décor similiar to the present day decoration found on
the original now kept in the Boston Museum of Fine Arts. The
interior is painted with floral garlands over gold background. |

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1745 Dulcken harpsichord 2x8,1x4, lute stop.
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This is a replica of the 1745 double manual Harpsichord by Iohannes Daniel Dulcken.
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Couchet single with full range (FF to f''') 2x8' buff, transposing keyboard, Louis XVI stand, lid painting. showing matching bench.
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Couchet single with full range (FF to f''') 2x8' buff, transposing keyboard, Louis XVI stand, lid painting. showing soundboard painting.
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This is a single manual Flemish harpsichord with an
expanded five octave range after Iohannes Couchet 1680. The
décor shown is typical of early Flemish harpsichords except the
owner wanted the inner lid without Latin Mottoes. |

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This harpsichord is after Henri Hemsch 1736 with Chinese style
decoration. |

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This model after Blanchet, Paris, 1758 is with a Louis XVI style
stand with finely painted garlands with gold ground on the
interior. The oil painting on the inside of the lid shows a
river scene in the style of Aelbert Cuyp, a Dutch artist.
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